Some of Disney’s modern films have used the same trope over and over again. The iconic studio has been producing animated classics for over a century, and new ones come out every year. From timeless Disney classics like Peter Pan and Cinderella to modern hits like Frozen and moanaDisney films have covered a wide variety of topics and stories while continuing to entertain their audiences.
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However, in recent years, it seems like the studio has become a little more repetitive in its storytelling. It has become apparent that several tropes seem to appear in almost every film Disney has produced over the past two decades. While these elements are likely included because they generally appeal to audiences, they can certainly make films seem redundant if used too frequently. Whether viewers like them or not, these common tropes are something to be expected from virtually every new film the studio releases.
8 The apparent bad boy is a fake
Used in Big Hero 6, Moana, Frozen
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In recent years, Disney seems determined to keep audiences on their toes when it comes to the villains in their films. Many modern Disney features have introduced characters who appear to be the main antagonists, only to eventually reveal that they weren’t much of a threat after all. This trope may have been effective the first time, but it certainly loses some of its impact when the audience expects it. There is a valuable lesson to be learned about judging a character too soon, but the same lesson has been taught many times.
What makes these three even more notable is the fact that they were all released within a span of just four years.
big hero 6, Frozen, and the record moana franchise They are all popular Disney films that feature this trope, although they are far from the only ones to do so. What makes these three even more notable is the fact that they were all released within a span of just four years. Using the same trope so many times in such a short period is bound to make the audience tired of the idea. Fakes can be fun when used sparingly, but they can easily make the development and exploration of the real villain feel incomplete.
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7 The real villain is a twist
Used in Wreck-It Ralph, Zootopia, Frozen
Along with the idea that the apparent villain is fake, Disney has recently relied heavily on keeping the villain’s identity real until the end. Numerous animated films from the studio waited until the dust seemed to settle, only to reveal that a character who seemed friendly was actually an enemy all along. Moviegoers often love a good, well-executed plot twist, but it can easily lose its impact when viewers already expect it.
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Before the idea became too common, keeping the identity of the villain a secret was a very effective device for Disney. In FrozenThe revelation that Hans was the true antagonist was a huge shock to many, and its careful execution helped increase the quality of the film as a whole. Unfortunately, later films kept trying to copy the same idea, resulting in a major “something too good” problem. If Disney wants to make its movie twists more effective, it has to learn to use them more sparingly.
6 topics about family trauma
Used in Charm, Strange World
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Generational trauma has become a hot topic in modern animated films. In simple terms, family (or generational) trauma is the idea of psychological distress (usually the result of a major event) that is passed from one generation to the next, resulting in collective discomfort around a specific issue. Many modern Disney films have taken it upon themselves to explore this idea and support characters as they face the problems that have been plaguing their families.
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Recent movies like Charm and strange world have centered their entire plot around family trauma, forcing characters from different generations of the same family to confront each other about their opposing perspectives on a topic. If Pixar is included in the discussion, many of their films have also taken a deep dive into the concept, including coconut palm and turning red In particular. While many of these attempts have managed to offer interesting insights into generational trauma, many viewers would prefer if Disney started branching out a little more.
5 Self-sacrifice saves the day
Used in Tangled, Frozen, Big Hero 6, Moana 2
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Since the studio’s early days, Disney has loved showing off the heroism of its main characters. However, in his modern films, heroism seems to be demonstrated in the same way over and over again. Several of Disney’s recent animated films, such as Tangled and Frozen, They have all culminated with a main character performing a selfless act of self-sacrifice. Acts like these can be beautiful and inspiring when done right, but a couple of glaring issues have reduced their impact lately.
A major problem is that sacrifices rarely last more than a few minutes before the character is brought back to life in some way.
While this allows for a happy and familiar ending, it largely erases the importance of the act of self-sacrifice by eliminating any lasting consequences. Another problem, as with most tropes, is that the audience has simply become too accustomed to seeing the situation unfold. Disney’s acts of self-sacrifice become less heroic as they occur in each film and never have lasting effects.
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4 important story dumps
Used in Zootopia, Frozen 2, Wish, Moana 2
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Part of what audiences love most about Disney animated films are the dazzling worlds they create. Locations like the bustling city of Zootopia and the majestic kingdom of Arendelle offer captivating realms for characters to explore as they go on their adventures. Unfortunately, while Disney has managed to invent these wonderful places, its recent films have struggled to find fluid ways to tell its viewers about them. Many of Disney’s modern films have relied too heavily on excessive story dumps, bluntly piling background information into scenes that otherwise serve no real purpose.
To keep audiences more interested, Disney needs to find more subtle ways to reveal the realities of the worlds it creates.
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Disney has tried to use various creative strategies to explain the history of its worlds, such as children’s play in zootopia and the vision sequence in moana 2but these scenes still end up feeling too expositional to be truly effective. To keep audiences more interested, Disney needs to find more subtle ways to reveal the realities of the worlds it creates. After all, they’ve already done the hard part of inventing the world. Now they just have to let them speak for themselves.
3 sidekicks purely for comic relief
Seen in Tangled, Frozen, Moana, Wish
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Some tropes started decades ago and still remain present in some of Disney’s more recent works. One such trope is the hero’s sidekick who exists only to get laughs from time to time. These characters have been around for many years, even appearing in early films such as Cinderella. Although some examples, such as Abu de aladdin and Mushu from MulanThey really contribute to both the narrative and overall appeal of their films, many of the modern ones just feel like they were added just to check another box.
Even beloved movies like Tangled and Frozen falling victim to this trope, launching characters that serve virtually no narrative purpose. Despite their lack of necessity, some of these characters still manage to achieve the goal of making the audience laugh. However, it remains unfortunate that they are never given any other tasks within the film, as they often have no backstory and simply blindly follow the main character on their adventure.
2 The cute but dangerous character
Used in Zootopia, Moana, Raya and the Last Dragon.
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Disney isn’t the only animation studio to frequently employ the cute but dangerous character trope lately, but it’s certainly no exception. Numerous animated films have used the same formula to make the same joke; A new character is introduced, who at first seems adorable and harmless, but then quickly turns things around and reveals a much more intimidating side. It may have been a humorous joke the first time, but each time it appears it becomes more expected and less funny to the audience.
Some modern examples of this trope include Finnick in zootopia and the Kakamora in moana. Finnick first appears to be an adorable baby fox, but is soon revealed to be Nick’s partner in crime. Similarly, in moanaThe Kakamora first appear to be harmless coconut creatures, before quickly putting on war paint and launching a violent attack on the main characters. While the trope will still make some laugh, many viewers have grown tired of seeing it over and over again.
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1 Happily ever after
Used in virtually all modern Disney films.
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It’s not difficult to understand why all Disney movies have a happy ending for the main characters. For generations, audiences have loved Disney movies for their family stories and heartwarming messages, not to mention that after all the hardships, the hero can hope for some kind of respite at the end of the story. However, there’s no denying that having a happy ending is a clear trope for Disney, as almost every single one of the studio’s animated films reaches a positive conclusion.
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Of Snow White and the Seven Dwarfs all the way to moana 2viewers knew the heroes would emerge triumphant one way or another. This trope isn’t necessarily bad, as it allows each film to maintain a light-hearted feel, but it can start to feel unrealistic when the happy endings don’t feel like they’ve been properly earned. If Disney is determined to continue ending each of its films on a positive note, it needs to ensure that these endings happen logically and deservedly, not just because people expect it.
Source: https://dinhtienhoang.edu.vn
Category: Entertainment